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untitled pluff BGM w ossias

by Kieran Daly

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1.
2.
3.
Cherokee 03:15
4.
D-flat Blues 03:08
5.
6.
King Korn 06:19
7.
8.
Milestones 03:55
9.
10.
11.
12.
13.
14.
15.
16.
17.

about

With conformal invariance and quasi-local falliblism exchange permitting, Spinoff roamed from chamber to chamber. Given to group stability as titling stratagem for its baseline completion—implementing standards, however accessed, a meant residence scatterplot foisting to-do mistrust—even in the belief that to have been cropped forwent mention of the group count, the showing impeded leaving.

When Babar and Tums met, his stomach was in knots, muttered Squeaky. “Necessarily p”/“Possibly Dehydrated” confidence intervened and deflated “Milestones” thereafter. Two plants, one turbo (slow–fast standard treatments and medication). Adiabatic processes and the resting baseline, untitled pluff BGM w ossias Security System “Necessarily ‘pent-up’” hcl edited depression, a burgeoning metabolic stagnation reducible to its “release” as interval lurk or house interior with room-falliblism, drying to harden serried characterization by Kieran Daly, recording on account of immediate purchase via complementary guitar inherence and sampling very sick. And so Babar’s (little) particular vacuity during these second-order coherence abstracta rendered the sessions nominally ineffectual. For encrusting, nary the flutter of “All the Things You Are” readthroughs and solo agendas spared Kieran. Fake book sopor or no.

Not set up for continuous activity, as opposed to responsible reflexivity, I wrote Babar bug reports late into the night. Ever the desiccant noodler and pit boss, Pickle Boy (or Reference Nut) kept close to the door. Alone to ab, only eliminativism still counted. Yet Tums wavered. Sudden standing or prolonged standing were other precipitating causes. The symptoms overall were non-necessary, however. Cranial volume was relative to cerebrospinal fluid and white and gray matter. I tried to shift my weight a little.

I believe I forgot to mention that commentary does not stage as hyperpractice lepton (slow–fast mereology). As for Babar and the unpolarized resonance grating his stomach away, disappointing snare licks, and twerpish abandonment, straining and flopping around remained enough. YouTube-interpolated wrongness or lead sheet eliminativism were gunk. Scratches at the door. Redundancy impeded the path-dependency of Babar, more or mere falliblism, and picking tactics for the dry covers around the house. Ad oculo mate. Modal bug reportage. Malfeasance wasn’t designated for any of the instruments: not knowing how to listen, neither would they speak.

credits

released November 29, 2016

All tracks composed by Kieran Daly except "All The Things You Are" (Jerome Kern), "Cherokee" (Ray Noble), "King Korn" (Carla Bley), "Milestones" (Miles Davis), "Out of Nowhere" (Johnny Green), and "Pent Up House" (Sonny Rollins)

Recorded July-September 2016
Produced and engineered by Kieran Daly
Liner notes by J. Gordon Faylor
Acknowledgements: SC, SS, EW

Dedicated to Connie Crothers

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Madacy Jazz Philadelphia, Pennsylvania

admin: Sam Sfirri, Kieran Daly

Inquiries: kierod@gmail.com

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