DIEGETIC SOUND RECORDING 'ON LOCATION' AGAINST FREQUENTISM (AFTER KONRAD BOEHMER, PETER VAN INWAGEN, AND 宇波拓) for two-channel fixed media (2019-21)
supported by 13 fans who also own “DIEGETIC SOUND RECORDING 'ON LOCATION' AGAINST FREQUENTISM (AFTER KONRAD BOEHMER, PETER VAN INWAGEN, AND 宇波拓) for two-channel fixed media (2019-21)”
supported by 13 fans who also own “DIEGETIC SOUND RECORDING 'ON LOCATION' AGAINST FREQUENTISM (AFTER KONRAD BOEHMER, PETER VAN INWAGEN, AND 宇波拓) for two-channel fixed media (2019-21)”
supported by 12 fans who also own “DIEGETIC SOUND RECORDING 'ON LOCATION' AGAINST FREQUENTISM (AFTER KONRAD BOEHMER, PETER VAN INWAGEN, AND 宇波拓) for two-channel fixed media (2019-21)”
teetering on the edge of rhythmic but standing firmly in the ground of odd tonality, this release leaves enough sonic space to infer one's own ideas about the form. Percussive type sounds bonk through the mix but all of them have a softness and power to them. bkudler
supported by 11 fans who also own “DIEGETIC SOUND RECORDING 'ON LOCATION' AGAINST FREQUENTISM (AFTER KONRAD BOEHMER, PETER VAN INWAGEN, AND 宇波拓) for two-channel fixed media (2019-21)”